Together, a weary cop and an all business FBI agent, team up to catch the latest homicidal manic: The Rain Killer. Just when they think that all the clues have been washed away, they find the one last clue; the one that's been in plain sight.

While his girlfriend is away on a trip, retired assassin Bang Ui-kang is tasked with looking after her friend's 17-year-old daughter. After a street attack, Bang Ui-kang becomes embroiled in a murder investigation and dangerous trafficking gang.

In lawless badlands, reclusive Cabeleira sets out to discover the fate of his gunman father and grows to be a feared assassin himself.

Steph, an Afrikaner, struggles with his past and heritage in the new South Africa. When his girlfriend befriends a black South African man called Vusisizwe, trouble brews.

Erika, a young Okinawan-Canadian woman, returns home to convince her aging grandmother, Oba, to evacuate their family farm. As tensions rise between the two strong-willed women, buried histories and generational trauma come to the surface, revealing a powerful story of resilience, legacy, and the bonds that survive even in the face of destruction.

First, a question to the viewer: if it were raining indoors, where would we seek shelter from the insistent drops? Where would we feel safe and dry? We have to go to the other side of the threshold. Suddenly a bell rings, and who is it ringing for? “I spoke to me, he to he, she to she, the ground spoke to the ground, the trees to the tree. Meanwhile inside, the familiarity of that well met rain continues to be falling…“ writes the director. 　　The animation, which evokes the presence of a hand, is like pleasant afternoon rain in summer – a time for contemplation, talking to oneself, and beholding a sky at dusk. Australian-born Milly Yencken studied painting in Tasmania and received her classical animation training in Vancouver, continuing her studies at Masters level at the Estonian Academy of Arts. Her work combines oil painting with charcoal to create her signature brand of colour brutalism and fauvist embellishment, attempting to create spaces and images that are immersive and invite reflection in the viewer. 　　源自：https://rigaiff.lv/en/films-2023/austrumlietus/

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First, a question to the viewer: if it were raining indoors, where would we seek shelter from the insistent drops? Where would we feel safe and dry? We have to go to the other side of the threshold. Suddenly a bell rings, and who is it ringing for? “I spoke to me, he to he, she to she, the ground spoke to the ground, the trees to the tree. Meanwhile inside, the familiarity of that well met rain continues to be falling…“ writes the director. 　　The animation, which evokes the presence of a hand, is like pleasant afternoon rain in summer – a time for contemplation, talking to oneself, and beholding a sky at dusk. Australian-born Milly Yencken studied painting in Tasmania and received her classical animation training in Vancouver, continuing her studies at Masters level at the Estonian Academy of Arts. Her work combines oil painting with charcoal to create her signature brand of colour brutalism and fauvist embellishment, attempting to create spaces and images that are immersive and invite reflection in the viewer. 　　源自：https://rigaiff.lv/en/films-2023/austrumlietus/

Banyu, a boy with autism spectrum disorder, starts a beautiful friendship with Radin and Kinara. When they all grown up, a tragic event occurred, putting their friendship on the edge of destruction.

Explore the relationship of two people as they go from being “just acquaintances” to “a genuine couple” — Yoon Jin Ah, a coffee shop supervisor in her 30s, and Seo Joon Hee, a designer at a video game company who has just returned from working abroad.